A Postcard from Afar: North Korea from a Distance

A Postcard from Afar: North Korea from a Distance

Curated by Mark Feary

January 11- March 10, 2012

opening reception: January 11, 6-8 pm

Featuring work by: Magnus Bärtås, Alain Declercq, Jim Finn,

Tony Garifalakis, Soni Kum, Jung Lee, and Karl Tuikkanen.

A Postcard from Afar is an attempt to envisage a state and

culture that is shrouded in secrecy, being both the producer

and victim of oppositional propaganda mechanisms. Works in

the exhibition develop a picture of what life in the Democratic

People’s Republic of Korea might be like.

apexart

291 church street

new york, ny 10013

t: 212.431.5270

info@apexart.org www.apexart.org

tues-sat 11-6 pm

Hollywood Forever

Tony Garifalakis, James L Marshall, Takeshi Murata (USA) & Christian Tedeschi (USA). Curated by James L Marshall

3rd – 27th November, 2011

Opening Reception: Wednesday, November 2nd, 6-9pm

Feltspace is pleased to present Hollywood Forever, a group exhibition featuring works by artists Tony Garifalakis, James L Marshall, Takeshi Murata & Christian Tedeschi with accompanying text by Robert Seitz. Curated by James L Marshall, the exhibition is named after the Hollywood star cemetery and explores representations of death on the ‘big screen’. The exhibition will include sculptural and wall works by Garifalakis, Marshall & Tedeschi and also screen the Australian debut of Murata’s “I, Popeye,” which premiered in 2010 in the exhibition ‘Free’ at the New Museum, New York.

Trust Me

8 OCTOBER–12 NOVEMBER

OPENING RECEPTION: FRIDAY, 7 OCTOBER, 7–10 PM

A TWO-PERSON EXHIBITION BY TONY GARIFALAKIS AND JACKSON SLATTERY EXPLORING RELATIONSHIPS, STORY TELLING, JUDGEMENT AND SUSPICION. CURATED BY OLIVIA POLONI

GALERIE CHARLOTTE DESAGA TEMPORÄR

SUDERMANPLATZ 1 D-50670 KÖLN

PLEASE ASK AT THE MAIN GALLERY (ACROSS THE STREET)

TO ACCESS THE GALLERY AT SUDERMANPLATZ:

GALERIE CHARLOTTE DESAGA

MAYBACHSTRASSE 172–174

D-50679 KÖLN

THURSDAY–SATURDAY, 12PM–6PM OR BY APPOINTMENT

FON +49 221 1693 1950

The Devil Had a Daughter

Monash University Museum of Art | MUMA Caulfield campus
 4 August - 1 October 2011 
Curator: Kirrily Hammond 
Artists: Pat Brassington | Tony Garifalakis | Jason Greig | Petr Herel | Dylan Martorell | David Noonan | Mike Parr | Stuart Ringholt | Sally Smart

The Devil Had a Daughter reflects an enduring fascination with allegorical, theatrical and macabre imagery apparent throughout the history of printmaking. Developed by MUMA Curator Kirrily Hammond, and drawing upon various forms of printmedia such as the artist’s book, performative works, found printed matter, architectural installations, as well as longer standing print traditions, this exhibition aims to open up the definition of printmaking towards an expanded understanding of its role and form in contemporary art. As Dr Melissa Miles suggests: ‘Long disparaged as a lesser sibling of high Art, printmaking’s processes of conceptual and material reproduction threaten our most treasured myths of the almost divine creative conception of an original work of art.’ This grain of instability – present the medium since its inception – has contributed to the increasing vast range of production methods and distribution formats for printmaking.

The Devil Had a Daughter has been developed to coincide with ‘IMPACT 7: Intersections & Counterpoints’, the International Multidisciplinary Printmaking Conference hosted by Monash University’s Faculty of Art & Design from 27-30 September 2011. Alongside this platform for practitioners and researchers to engage in a mutually productive exchange, the exhibition consciously reflects the premises of IMPACT 7, revealing the multiple identities of contemporary print media.

The Devil Had a Daughter involves newly commissioned works by Dylan Martorell and Sally Smart, recent and in some cases historical work by participating artists, and selected works from the Monash University Collection.